I used to be an avid stamp collector – never serious enough to warrant being called a philatelist – from a young age. The range of subjects depicted not only on South African stamps, but the excitement of finding stamps from other parts of the world thrilled me in the days of no internet, no television – and no cell phones! As Christmas approached the pile of mail my father brought home increased in size and interest: Christmas cards were posted from so many places that piqued my interest enough to enjoy receiving a stamp album, hinges, as well as a magnifying glass as gifts. I would happily spend time carefully soaking stamps from envelopes, waiting for them to dry, and then sorting them. Like most beginners, I began by sorting stamps into countries – doubtless guided by the printed albums of the time.
Then I realised my real interest lay in themes. I sorted my growing collection into categories and gradually became aware of narrowing my interest to mainly environmental themes. Along with this came a desire to develop a set of themed stamps into a narrative, which the stamps would illustrate. I found some of these the other day which included the development of agriculture, how elephants have been used by humans, and the clan totems of the Tswana people as depicted on the stamps of the then Bophuthatswana. During the period we lived in that ‘independent’ homeland, I discovered a particular richness in the stamps of the various homelands that pitted the map of South Africa.
There used to be a rich diversity of topics featured on the stamps that adorned even the most mundane postal items. Look at the corner of this envelope franked in Port Alfred, a seaside town not far from where we live. We still regularly received mail in 2017 – alas hardly ever any more.
There is a mixture of two series of stamps on this envelope: of the eight stamps used, five come from a series launched in September 2010 that featured the Richtersveld conservation landscape. This area, in the north-west of the country, is the eighth World Heritage site in South Africa. The Richtersveld was returned to the Nama people under the land restitution programme and is maintained as a conservation area. The stamps were designed by Jolindi Ferreira, who was a student at The Open Window School of Visual Communication, in Pretoria, at the time. The ones here depict a Grey Rhebok, a Namaqua Sandgrouse and a Namaqua Chameleon.
The other three stamps, designed by Sacha Lipka, are of beadwork artefacts held in the Iziko South African Museum in Cape Town. The show a Zulu neckpiece of lion’s claws, a beadwork angel, and a beadwork cell phone.
With so little in the way of actual mail finding its way around the country, I have probably not purchased postage stamps for the past three years at least. Looking at these ones makes me realise how much we miss!
Note: Click on the photograph for a larger view.